For all the latest Eye News, download Indian Express App. Shilpa Shinde, Aly Goni, Arshi Khan - TV actors who accused Vikas Gupta of blackmailing him Entertainment Several TV actors have exposed Vikas Gupta’s ugly side on … We’re thinking of two points of balance: we have South Asia here, and there we have the western, European view. Is it visibly Indian? I am constantly reading a rather broad range of material, from history, fiction, to processes of cognition and even news (not the noise on social media!) Interview. Shilpa Gupta. However, in a rather short period, this changed, and many were incorporating similar ways of working. She sculpts them, using fine copper wires beaten and bent by hand to mimic their topographies. She established the Jindal Arts Centre in 1992 at the National Centre for Performing Art in Mumbai, and is the President of Art India magazine, a leading contemporary art magazine. But for this show, Carl Ganem [a young collector] curated the exhibition by picking from the gallery’s collection. Shilpa Gupta, Someone Else – A library of 100 books written anonymously or under pseudonyms, 2011. Shilpa Gupta: BlindStars StarsBlind / BodhiBerlin / Interview with Shilpa Gupta and Shaheen Merali. I was showing a work in the Lyon Biennale in 2009, Untitled, which is a gate that moves from left to right and breaks into a wall with its movement. Shilpa asserted how she doesn’t want to give any kind of footage to Vikas, as he might try to gain sympathy for this as well. Of course, she gives the occasional interview, but not without struggle. Sangita Jindal is an avid collector with a long history of supporting cultural heritage and the arts. Shilpa Gupta: the artist bringing silenced poets back to life. Shilpa Gupta beschäftigt sich in ihren Werken kulturübergreifend mit Konsum, Religion, Sicherheit, Zensur, Militarismus und Menschenrechten. Interactive installation with Blame bottles that contain simulated blood, posters, stickers, video, interactive performance, 1 min 49 sec loop. Meanwhile, with such sort of fan frenzy and credibility, Shilpa Shinde enjoyed a decent sum for her stint in Bhabi Ji Ghar Par Hai. Magazine, Vol 02,No 02, Pg 106-108, 2010. Since its inception, the India Art Fair has become a Mecca for Indian artists, curators, collectors, dealers and consultants, who come from all over the country and from elsewhere. Another example would be an outdoor light installation which is currently being shown on Lake Zurich. Skye Arundhati Thomas: When you began your practice 20 years ago, you were already asking questions about where politics and art meet. Instead, there are 300. Shilpa’s clarification comes in the form of a long note that reads, “I am not following #Bigboss14 and have not given any interview regarding any … But does everything have to have a utility? Carbon tracings on paper, 76 x 56 cm (30 x 22 in). She wanders the streets or subway stations of Mumbai, where she lives and works, collecting found objects to bring back in – such as the evidence of her interactions with people, which take place as conversations, or the dispersal of material in a public space: for instance, in the work Blame (2002-4), Gupta distributes small bottles filled with a liquid the colour of blood, and brings them back into the gallery after they have passed through the hands of an entire train compartment. This current moment reminds us that our bodies are vulnerable to the invisible virus, and that we are closer than we ever imagined. Threat, an interactive installation in which viewers are invited to take a soap away each, was a response to a growing fear of otherness. There were artists across age groups, and artists across geography – you had a Carl Andre next to a Jenny Holzer or a Douglas Gordon, and about 10 or 15 artists from the gallery – and they were all speaking to each other, and speaking in the same language. Mumbai artist Shilpa Gupta is currently turning heads at the Venice Biennale. Now this gate, or the object, it could be the map of a place, but it could be even be a hole in the brain of a housewife in my neighbourhood, or those who aspire to move outwards and away from a boundary, or that enable a way of seeing. How do you ‘engage with the idea of distance’ in WEARECLOSERTHANYOUEVERIMAGINED, on view at the main railway station in Chemnitz, Germany? The 35-minute piece looks at the idea of contagion, infiltration and seepage, which is especially impossible to contain, in the age of hypermedia. SG: I think there is always another life to the work, and it can exist outside the white cube as much as it does inside it. Your 2008–09 work, Threat, is on show at Copenhagen Contemporary. The biggest news stories of 2020. Gupta, talking about her ideas that steer her journey towards the realisation of artworks, in an interview with STIR, says, “Between the beginning, which could be a drawing, a scribble in a book margin, a note or even a conversation, the in-between process is constantly changing and rarely even the final format is fully known. Photograph: Shrutti Garg, courtesy of the artist. Shilpa Shukla starrer "Criminal Justice" talks about her character in conversation with Sujay Gupta, Tonight at 8pm on Saturday Stardom. Embedded Structures: An Interview with Shilpa Gupta . Instead of beaming the usual schedules, as it is programmed to do, it has started to malfunction, and, in doing so, it exposes the aberrations. Shilpa Gupta: ‘I am always playing with the idea of the location in the work’ The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states, and how she prefers her work to be called ‘everyday art’ rather than terming it political. What I’m interested in are those ways of seeing, and the ways in which they inform how we imagine ourselves. With the project Aar Paar (2002), a public art project between India and Pakistan, we just exchanged images and put them out on the streets. There was something about, not just the language, but the act, the method of talking, the dialect of speaking – there was just an overlap somewhere. Then there are those who would like the art object to have a direct consequence – and one often hears the same story, why art, why not direct action? “I am watching Bigg Boss 14. Exclusive Interview of Shilpa Shinde by Neeki Singh | TV | SpotboyE. SAT: Maybe it is a question of narrative, and works from the same location have a better potential for a narrative to tie them together? By Enrico on 20. I spoke with the … Click here to join our channel (@indianexpress) and stay updated with the latest headlines. Gupta is aware of this, and is keen to question which voices are heard louder than others, and who determines the validity of certain political arguments. Another part references a past project, While I Sleep (2008), and links with the subversive movements which continue in the dark (in the Borderlands Series), that says: ‘Still They Know Not What We Dream’. Today, several places are grappling with a right-wing majoritarianism, resulting in strong feedback for the sound installation For, in your tongue, I cannot fit: 100 jailed poets (2017-18) based on 100 poets who’ve been incarcerated. Dabei interessiert sie wie Menschen in ihrer Identität durch soziale Ungleichheit oder Machtpolitik geprägt werden. Untitled, MS Gate which swings side to side and breaks the walls, 2009. Subscribe Here https://lnkd.in/eFnXZzM for more updates.. #Interview #SaturdayStardom #sujayguptalive #searchglassfilms #Knovalt #Celebrity #CelebrityInterview #latenightshow #ChatShow #LiveShow #zoominterview And it is primarily a question of identity, and with India, this has developed only in the past 60 or 70 years … Ideas of the nation state only emerged in the 19th century, so this is a new identity. Then, a year later, I showed it in my own city (Mumbai). Recent Works of Shilpa Gupta, Yvon Lambert Gallery, Paris Ami Barak, Take On Art Magazine, Review, International Reviews, Vol 1, Issue 01, Pg 142, New Delhi, January-March 2010. Copyright © 2021 The Indian Express [P] Ltd. 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